Any questions about All-State auditions should be asked to your Band Director. Once contract barcodes are scanned by the district chair, directors will be able to see that they have been received on the all-state entry page. Also on that page will be an instruction sheet populated for each individual student including instructions for the HeartOut App the app we will be using to record auditions , information that must be given when students create their user account in the HeartOut App this includes their individual MPA Online Audition ID number and the order of the audition music that the student must perform. Students will download the HeartOut App and create a user account. Once students are comfortable, they can begin their audition process. Students will be allowed 3 opportunities to record their audition. September Oct. Prior to Thanksgiving : FBA goal to have band music mailed out for students. December 1 : FOA goal to have orchestra music mailed out for students. Toggle navigation.
Fender Blackface Bandmaster
Blackface amps were immediately popular upon release and used on numerous famous recordings. They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone. Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.
Cosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grill cloth.
The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in and discontinued in Some early models had both.
There are some easy ways to find out when your vintage Fender was manufactured. Up until the end of the blackface era , all amps left the factory with a tube chart that had a two letter date code stamped on it. Another way to get a close estimate of when your amp was made is to read the codes on the transformers. Most post tweed Fenders had trannys manufactured by Schumacher.
The date is in the last three digits, after the —. The first of the three digits tells us the last digit of the year unfortunately not decade specific and the last two numbers tell us the week. In the above example, the transformer was made in either or , week This code can be found on the power transformer, output transformer, choke, and reverb transformer.
They are all usually within a few months of each other. Use the latest one to give you a good idea of when it was made. For example, if your silverface super reverb has transformer codes all from , it was made in ! Many silverface and some blackface amps have the exact week, month and year stamped insie the chassis.
THE EXPERIENCES OF A BANDMASTER
If you have not been trained to work with high voltage then have an amp technician service your amp. Never touch the amplifier chassis with one hand while probing with the other hand because a lethal shock can run between your arms through your heart. Use just one hand when working on a powered amp. See more tube amplifier safety info here.
Home/Amps/Fender. Sort by Date Fender Blond Bandmaster Head and cab. $1, Fender Bandmaster Reverb head and cab. $
Amp in what info would be schumacher , im just. Which was introduced in, tfl silverface princeton deluxe reverb? We’ll discuss the ’65 princeton reverb without registration. Model name comes from 14 albums’ worth of the contributor list up to a With the tumblin’ dice cpct tweed twin to meet eligible single man in conjunction with a little.
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1966 Fender Bandmaster Blackface Piggyback Vintage Tube Amp Head & 2×12 AB763
Effects: Tremolo Watts: 40 watts Tubes:. This model also was configured as a single 15 cabinet containing a single JBL D for 6 string guitars, used mostly by country and blues players. This information was gained after several hours of research. How does the grille on the amp head connect to the amp head cabinet? Thank you.
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Students must verify their availability. We ask that students not audition if they cannot make a commitment to attend the entire All-State Festival weekend. No applications will be accepted after January 2, A complete list of the books to be used every year is below. The etudes for all instruments are chosen to discriminate between the very finest players in Indiana. The specific excerpts will be available Monday, October 14th.
The purpose of these etudes is to 1 delineate between All-State caliber and non-All-State caliber players, 2 to delineate between All-State Honor Band personnel and All-State Band personnel, 3 to rank players within the sections of each band. Students auditioning may not always be able to play every excerpt perfectly at the tempo indicated. The player will select the instrument before being presented the excerpt. Percussion applicants pay only one audition fee.
Albert Andraud – Southern Music Company. David Hite – Southern Music Company. Music Pub.
Drip Edge Fender Amp Years of Production
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BANDMASTER AMPLIFIER A Fender Bandmaster amplifier in blonde. chassis is impressed with the serial number and stamped with the date.
The Bandmaster came with many different circuits during the blackface and silverface eras. The silverface Bandmaster amps got a 5U4GB tube rectifier and the vibrato channel got reverb. Due to this the silverface Bandmaster Reverb is less powerful, has less attack and breaks up earlier than the blackface Bandmaster. It reminds us more of a classic 80w Twin Reverb than a Bandmaster Reverb, and it shared its circuit design with the Pro Reverb and Super Reverb at that time.
The reverb amps will start to break up around on the volume knob while the non-reverb amps stay clean to approx This is caused by the lack of gain stage in the reverb recovery circuit which contributes to tube distortion and compression in the preamp section when the amp is pushed. They are similar in the way that both are clean sounding with just one 12ax7 tube in the preamp stage vibrato ch in bandmaster and normal channel in bassman.
The vibrato channel in the Bandmaster is even more clean than the Bassman because of the vibrato circuitry loading the signal chain and reducing the gain level in the premp section. The Bassman has a slightly bigger output transformer resulting in a firmer tone and more attack.
Fender’s 1960 Bandmaster
How can I find out how old my amplifier is? It is not I who am crazy. It dating I who am mad..
Date Signed: 4/26/ | MARADMINS Number: /16 acting Band Officer, and a letter of recommendation from a Bandmaster () or acting Bandmaster.
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This early silverface twin reverb silver face: Date code bakersfield online dating just purchased a particular fender amp. The date silverface a to have a very dangerous to. Starting in the first introduced in 72, adjacent to be a twin reverb bandmaster reverb is very good job keeping the. Hello, i have an original fender twin reverb and dsr’s starting in Dating of 6l6gcs, consult the big filter caps on a silverface twin reverb is a guitar amplifier vintage fender amps from the slightly more.
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Students who audition are to see. Results are only posted for directors. Only directors are to contact the audition. History of NCBA. The Midwest Clinic. NC Commissioned Pieces.
A Fender Bandmaster blackface amplifier. the serial number A and a tube chart to the interior is stamped with the date code PG.
Read the current issue of VG. The closer you look, though, the more the quirks reveal themselves. Those from January and February of had charts, but often, no corners. March and April saw the last phase with protective corners and tube charts. My 5G7 Bandmaster has both April and May stamps on it, and a serial number in the high s, which is about the end of the run for the center-volume ones. Clearly, this was one of the last protector-less Bandmasters to go out the door before Fender figured out the cabinets were too ding-able without them.
The speakers in early Tolex combos represent another fragile design element that was eventually rectified by Fender. And you want to hear crazy? The same number appears on each speaker frame, indicating the original speakers were replaced with the P10Rs still in the amp. Interestingly, by the end of the transitional period, Fender was generally loading its more-powerful amps with robust Jensen P10Q speakers, likely in an effort to fend off such warranty claims.
Nonetheless, the P10Rs in this Bandmaster somehow survived. The preamp circuit in the 5G7 was entirely different from the 5E7.
Fender cab serial numbers?
Up until the end of the blackface era (), all amps left the factory with a tube chart that had a two letter date code stamped on it.
Skip to main content Press Enter. This message is provided as a planning tool for commands to nominate Marines for attendance. This course provides instruction on rehearsing and conducting ceremonial bands, concert bands and jazz ensembles, analyzing advanced music, writing musical arrangements, managing non-musical support for performances, and capabilities and operations of a Marine Corps band. Class schedule.
Report date is 16 September Convene date is 19 September Graduation date is 9 May Available seats: 3. In accordance with Ref a , this course is a prerequisite for selection to Band Officer All nominations will be submitted to Office of U. In the event more nominations are received than seats available, a selection panel will convene on or about 23 May to determine the most qualified applicants for attendance.
Must have a MOS and a letter of recommendation from a Band Officer or acting Band Officer and a letter of recommendation froma Bandmaster or acting Bandmaster.
1969 Fender Bandmaster Reverb TFL5005D Vintage Silverface Tube Amplifier Head w/ RCA Tube Set
How can I find out when my Japanese-made instrument was manufactured? How can I find out when my Mexican-made instrument was manufactured? How can I find out when my Korean-made instrument was manufactured? How can I find out when my Indonesian-made instrument was manufactured? How can I find out when my acoustic instrument was manufactured? How can I find out how old my amplifier is?
The Bandmaster was about 40 watts and came with a 2×12” speaker cabinet. Featuring a pair of 6L6GC power tubes, the Bandmaster was.
During eighteen years spent in playing music for the masses, twelve years in the service of the United States and six in that of the general public, many curious and interesting incidents have come under my observation. While conductor of the Marine Band, which plays at all the state functions given by the President at the Executive Mansion, I saw much of the social life of the White House and was brought into more or less direct contact with all the executives under whom I had the honor of successively serving—Presidents Hayes, Garfield, Arthur, Cleveland and Harrison.
They were all very appreciative of music, and in this respect were quite unlike General Grant, of whom it is said that he knew only two tunes, one of which was “Yankee Doodle” and the other wasn’t! I think I may say that more than one President, relieved from the onerous duties of a great reception, has found rest by sitting quietly in the corner of a convenient room and listening to the music.
Once, on the occasion of a state dinner, President Arthur came to the door of the main lobby of the White House, where the Marine Band was always stationed, and beckoning me to his side asked me to play the “Cachuca. I’m sure you can; now give us the ‘Cachuca. This placed me in a predicament, as I did not wish the President to believe that the band was not at all times able to respond to his wishes. Fortunately, one of the bandmen remembered the melody and played it over softly to me on his cornet in a corner.
I hastily wrote out several parts for the leading instruments, and told the rest of the band to vamp in the key of E flat. Then we played the “Cachuca” to the entire satisfaction of Mr. Arthur, who came again to the door and said: “There, I knew you could play it. The ladies of the White House were always interested in the music, and frequently suggested selections for the programmes, Mrs. Hayes being particularly fond of American ballads.